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Révolution Ecole: 1918 1939 Year: 2016 Annotation to movie in 3 languages. Ce film est entierement compose de photographies et films d’archives. Certaines de ces images, publiques ä l’epoque, representent des adultes et des enfants nus et peuvent heurter la sensibilite des spectateurs d’aujourd’hui. Nous avons choisi de les montrer car ce sont des documents historiques qui participent ä la peinture la plus exacte possible des experiences educatives des annees 1920 et 1930, seule periode ä laquelle le film s’attache. Der Film besteht zu einhundert Prozent aus Archivmaterial. Einige der damals veröffentlichten Bilder zeigen nackte Kinder und Erwachsene, die Zuschauer der heutigen Zeit als schockierend empfinden könnten. Wir haben uns entschieden, diese Bilder dennoch zu zeigen, da es sich um historische Dokumente handelt. Sie dienen dazu, die Erziehungsmaßnahmen in den 1920er und 1930er Jahren - dem einzigen Zeitraum, über den im Film gesprochen wird - wahrheitsgetreu wiederzugeben. The film consists of one hundred percent archive material. Some of the images published at the time show naked children and adults that today's viewers might find shocking. We decided to show these pictures anyway, as they are historical documents. They are used to truthfully reproduce the educational measures in the 1920s and 1930s - the only period spoken about in the film. |
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Grave Year: 2016 Garance Marillier was replaced by a body double in the waxing scene. "As for the nudity, Julia and I talked a lot about it, and her aim wasn't to do a shot of a pussy, except for the waxing scene, where, incidentally, it's not me. The scenes where I'm naked are the sex scene and the shower scene, but otherwise, the waxing was done by a double and I think she was in pain!" she said. https://www.premiere.fr/People/Garance-Marillier-Grave-Les-cannibales-sont-des-etres-humains |
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Il ragazzo invisibile Year: 2014 Is there any scene from the film that you liked the most? "The funniest scene, in my opinion, is that of the girls' locker room, in this scene we all had a bit of fun." On the screen we see you naked, but isn't it? "No, I was practically always in my underwear, and then they made me naked by computer." Source: https://www.mydreams.it/ludovico-girardello-il-ragazzo-invisibile-di-salvatores-un-giovane-supereroe-tutto-italiano/ |
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Simindis kundzuli Year: 2014 Mariam Buturishvili said the biggest difficulty for her during filming was the scene where she takes a dip in the river completely naked. "During the shooting of the last shots, in the beginning of November, I had to dive into the water. It was very cold. I was freezing," she said. http://gza.kvirispalitra.ge/saxe/664-15-clis-arapropesionali-msaxiobis-didi-carmateba/ |
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Ilo Ilo Year: 2013 Koh Jia Ler, the first-time child actor in the award-winning local film Ilo Ilo, was caned for real several times in two takes while shooting a scene. It is a literal example of how director Anthony Chen cracks the whip to achieve his vision. Says Jia Ler, 12, whose mother was fine with the caning since she used to cane him when he was younger: "Anthony talked to me about it and I was fine with it. It was painful, but it's okay, because I know he wants everything as real as possible. The caning is just a small thing to me. (http://www.herworld.com/celebs-men-sex/celebs/anthony-chens-ilo-ilo-real-it-gets) |
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La danza de la realidad Year: 2013 In the scene where young Alejandro’s mother smears his body in black paint then strips herself naked, both Pamela Flores and Jeremias Herskovits were supposed to be totally nude, however Jeremias’s father worked in a school and feared agreeing to a scene where his naked 12-year-old son had his whole body smeared in paint by a naked adult woman would get him sacked. He begged the director to change the script and Jodorowsky agreed to let Jeremias wear underwear for the scene. https://www.imdb.com/title/tt2301592/trivia/ |
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Little Thirteen Year: 2012 To accompany the underage actresses Muriel Wimmer (Sarah) and Antonia Putiloff (Charly) during the shooting, the director Christian Klandt and his film team were supported by two sex education specialists from pro familia Berlin. For the 16 and 17 year old actresses, sex scenes in front of the camera were completely new territory. The experts were on the set for all the sexual performances to accompany, advise and support them. However, pro familia Berlin only gave its approval after reading the script and after preliminary discussions with the filmmakers and actresses. "It was very important to us to compare the content and messages of the film with the stance of pro familia. Is it safe that young people are not exposed, defamed and stereotyped? That the negative image of pornographic youth is avoided?" says sex educator and counselor Petra Winkler. On the set, they were always approachable for the young actresses, with whom they had built up a good level of trust in the run-up to the shoot. "We were not governesses," says Winkler. "The girls weren't forced to play in the film, they wanted to be part of it. Still, nudity, sex and intimacy in front of the camera were new and sometimes borderline. "In one scene, one actress was so insecure that she stopped shooting," the pro familia expert describes a situation. "It helped her that I was there as an outsider to bring calm into the scene and could talk to her." (www.imdb.com/title/tt2215267/trivia) |
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Un amour de jeunesse Year: 2011 You chose Lola Créton as the actress to represent yourself. Tell me about her – this film could make the next French star. She was 16 when we began shooting, and I wanted to do something unusual. I'm always annoyed when films have actresses who are 27 playing teenagers. It always breaks the spell for me. So I wanted a real teenager here, even though this film does then span another 10 years. I thought it'd be a nice change to see someone playing older, even if they did look a bit young in the later stages. But Lola is so delicate and shy. Like all French actresses, she seems very happy to get her clothes off. Aha. You English always love that. I can say that for her it was actually a big deal. But what's amazing is that, when the cameras rolled, she was free and sensuous like a cat. It was as if she was discovering her own sexuality before our eyes, but, as soon as the filming stopped, she'd retreat behind sheets, clothes immediately. She has a little craziness about her, like a young Adjani, but she's so shy with press, with me, with her mum. She's not at ease with words. I think she truly can only express herself through acting. It's her vocation. https://www.theguardian.com/theobserver/2012/apr/29/mia-hansen-love-french-director |
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Tomboy Year: 2011 It should be noted that with her chief operator, the director opted for long shots so as not to frustrate children in their game: few shots, but very long. The camera object had to be forgotten, the director was always at their side, spoke to them during the catch, entered the frame. The scene, so delicate, of the nakedness of Laure and the revelation resulting from it, has been conscientiously put in place by Céline Sciamma. This scene is fundamental and Zoé Héran, from the script, knew he would have to turn naked. Her parents were present at the time of filming and this intense moment could only exist in the image if they gave their Agreement in view of the filmed sequence. (https://clermont-filmfest.org/wp-content/uploads/2017/11/Tomboy-de-C%C3%A9line-Sciamma.pdf) |
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Un poison violent Year: 2010 Clara Augarde, who was 14-year-old during filming, plays Anna, the heroine of the film. A difficult role that the girl holds perfectly, despite the difficulty that a few nude scenes could pose to her. "One of the scenes, I refused to do it. It's a body double. At my age, we don't like to undress, so in front of a camera, it's a bit complicated. For another scene, I had agreed to play it. A lot of people were counting on me. So even though it was very hard, I had to play it." https://www.letelegramme.fr/ig/generales/regions/morbihan/un-poison-violent-tetes-d-affiche-a-15-ans-04-08-2010-1009268.php |
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3. Foudre (2007) Rating: |
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5. Salò o le 120 giornate di Sodoma (1975) Rating: |
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7. Vild på sex (1974) Rating: |
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8. Nesmluvená setkání (1995) Rating: |
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