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Behind the scenes (191)

Ali Zaoua, prince de la rue
Year: 2000
Amal Ayouch had met Mustapha Hansali when he visited the Wholesale market in the company of an educator one night. When asked to improvise a situation, he revealed
himself to be an extraordinarily sensitive child. Hansali had a difficult relationship with his mother, and it was hard for him to take on the role of Omar vis-à-vis Ali”s mother.
Also, he did not want to be filmed in the nude while Ali's mother bathed him. Amal Ayouch finally persuaded him, explaining how much more difficult it had been for her,
married, with two children, to simulate sex with a client.
(https://books.google.it/books?isbn=1317968638)
Voroshilovskiy strelok
Year: 1999
Anna Sinyakina revealed she was replaced by a body double in the rape scene. "At the time of filming, I was a minor and refused to undress categorically. The naked body parts in the film are not mine. I originally asked for a stunt double. And even here the point is not that I wasn't allowed to be naked. Having received parental consent, I was able to undress, but I was very shy. We thought a lot about how to replace me with a stunt double. I was lying on the bed and suddenly I grabbed the blanket and threw it over me so I couldn't be seen. The solution has been found. Another girl was hiding under a blanket," Sinyakina said.

https://www.spletnik.ru/blogs/pro_zvezd/172161_aktrisa-iz-filma-voroshilovskiy-strelok
Mauvaises fréquentations
Year: 1999
The casting? It lasted nine months with 2,000-auditions. Due to the subject of the film, many have given up. The main actress had never done anything. And she carries the whole film on her shoulders. When she started the movie, she had never kissed a boy in her life! And she had to play prostitution scenes in a toilet. Many professional actresses had refused.
(interview with Alain Layrac, the movie'screenwriter, at https://www.ladepeche.fr/article/1999/10/20/208407-alain-layrac-un-film-choc-sur-l-adolescence.html)
L'humanité
Year: 1999
The body of the raped little girl was a silicone cast.

https://www.imdb.com/title/tt0197569/trivia/?item=tr5726662
Plenilunio
Year: 1999
“Noelia had never worked in cinema. After a long process of casting I saw very clearly that she had to be the one to play Paula. She is a very smart and docile girl, who can be predicted an excellent future as an actress. For her the filming has been very hard, especially in the scenes she shot naked in the river during one of the hardest winters that is remembered in Palencia”. (http://www.elcultural.com/revista/cine/Imanol-Uribe-presenta-Plenilunio-en-el-certamen/2538)
American Beauty
Year: 1999
"[Sex scenes] always really disgusted me. I mean really disgusted me. But I loved this script, so I went and did a nude scene...It's the '90s - everyone's seen a pair of tits."-Actress Thora Birch on receiving her parents' permission to shoot risqué scenes for American Beauty when she was 17, in the December 21-27 Hollywood Reporter weekly edition.

It was very, very difficult for me to come to terms with it in a personal way. Creatively, I was solid. I understood the importance and significance of that scene and I had known in advance that it was going to happen. As you can imagine, I had spoken with the director, Sam Mendes, and we both agreed it was not a gratuitous scene, rather a very realistic moment in Jane and Ricky's relationship. - Personal Quotes [IMDb].
Nena
Year: 1998
Nerea Barros's debut. She was 15 years old when Xavier Bermúdez chose her for this film, in which she had to play a scene totally naked. "Xabier explained to me and my parents what the role consisted of and that everything was justified and necessary for the film. It was a character who was far away from me because I never fell in love with a person much older than me, but every boy has platonic loves and that could happen," Barros said. But there was a misunderstanding at school with nudity. "The director and the head of studies called my house so that my parents could talk to them because they thought I was going to make a porn movie..."

https://www.imdb.com/title/tt0199803/trivia
Apt Pupil
Year: 1998
April 16 was not a good day for director Bryan Singer. On his way to the Sherman Oaks, Calif., set of Apt Pupil, his first film since The Usual Suspects, he got a flat tire on the Pacific Coast Highway. He dragged himself through a long shooting day while suffering from the flu and didn’t take a break until 6 p.m. And when he sat down to dinner with screenwriter Brandon Boyce, a crew member whispered some very bad news in his ear: A 14-year-old extra named Devin St. Albin had filed a lawsuit claiming that the filmmakers had ordered him and other minors to strip for a scene that was shot in the showers of a school locker room.
Singer excused himself from the table, conferred with the producers, and decided to return to work. But a few hours later, after trying to film a technically difficult shot, he gave up. ”I’m about to die,” he said.
Two weeks earlier, on the morning of April 2, a dozen-odd extras had arrived at the gymnasium of Altadena’s Elliot Middle School to shoot a scene from Apt Pupil, the Stephen King adaptation starring Brad Renfro as a teenager obsessed with a Nazi war criminal (Ian McKellen). What actually happened after the extras entered the locker room has now become the subject of two lawsuits — two more boys are now supporting St. Albin’s claim — and the centerpiece of an ongoing argument about the rights and welfare of child actors.
According to St. Albin, a 17-year-old plaintiff named Ryan Glomboske, and Peter Gordon, the attorney for a third minor, 16-year-old David Stockdale, the boys — local high school athletes recruited by the production — were asked to bring bathrobes to the set to film a nightmare sequence in which shower stalls turn into gas chambers. While the parents of the minors sat in the gym, the extras — who ranged in age from adolescents to geriatrics — were led into a locker room and instructed to change into sheer peach-colored G-strings provided by the wardrobe department. ”Nobody really said anything, but we looked at each other. We were uncomfortable,” says St. Albin. ”You could hear everyone saying ‘What the heck is that?”’ Glomboske remembers. ”People were nervous.”
According to St. Albin and Glomboske (who is joining his suit), the extras, wearing their robes over the G-strings, were ushered past the parents into the shower-room set, where they were told to take off their bathrobes. Then, say St. Albin and Glomboske, they were asked by assistant directors Fernando Altschul and Tom DeSantos to remove their G-strings.
”I looked around for help, for someone to say, ‘There are minors here,”’ says St. Albin. ”I raised my hand and said I wasn’t comfortable. The assistant director looked very upset and said, ‘I guess we can switch you with this other kid.’ They gave me a towel to put on over the G-string” and moved him out of clear sight, next to the lockers.
Glomboske says that he moved closer to a shower head to shield himself but, unlike the other extras, did not remove his G-string. After filming the scene, Glomboske says he was approached by a frustrated assistant director, who asked him why he hadn’t undressed. ”I said I was a minor,” says Glomboske, who asserts that after an informal conference between crew members about what one of them called ”a minor problem,” he was assured that it was not illegal for him to be filmed nude.
But Glomboske says legalities weren’t foremost on his mind at the moment he was asked to unclothe. “If they had taken me aside, it would have been one thing,” says Glomboske. But “they got frustrated and came back and asked me in front of everyone if I minded taking it off. I felt like I would have been a wuss if I hadn’t.” All three teenagers are claiming trauma from the experience, charging the filmmakers with, among other things, infliction of emotional distress, negligence, and invasion of privacy.
(https://ew.com/article/1997/05/02/indecent-proposal-set-apt-pupil/)
Sara
Year: 1997
Agnieszka Włodarczyk, to appear nude in the film "Sara", needed the consent of her mother Anny Stasiukiewicz. She was her who persuaded her daughter to play in the film and began her career in show business. - My mother led me to the castings when I was still a child. I wanted to sing, play, so that everything would revolve around me. I think I wanted to be famous. (...) Mom always walked on high heels and in mini. When I was 14 years old, she told me to dress like that - once the actress told in the magazine "Glamor".
Before Agnieszka Włodarczyk played in "Sara" she appeared in the contest Miss Poland Teen. At the age of 15, she played in the Metro musical at the Studio Buffo theater. Unfortunately, after the participation in the film between Agnieszka Włodarczyk and her mother, a conflict began...
Fortunately, after many years, mother and daughter reconciled. Agnieszka Włodarczyk tried to explain her mother. - Rather, she wanted me to become financially independent, so that I would not count, like other women, only for their husbands or lovers - said the actress in "Vivie."
Agnieszka Włodarczyk very rarely mentions the scenes taken apart in "Sara". - I am reluctant to talk about "Sara" and undressing on the screen. It was unnecessary, I was experiencing it too much. On the other hand, if I did not play in "Sara", my career would not have been so fast - she said.
(https://www.fakt.pl/kobieta/plotki/zadebiutowala-nago-na-ekranie-agnieszka-wlodarczyk-sara/kzgelnq)
Für immer und immer
Year: 1997
In this adoption drama Lili Bohm plays an adopted girl. In real life she is an adoptive daughter of director and actor Hark Bohm. He is father of four adoptive children and two foster children.

https://www.imdb.com/title/tt0116383/trivia





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