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Der Fan Year: 1982 In her contract, popular German TV moderator Désirée Nosbusch agreed to shoot the nude scenes together with Bodo Staiger. After stills from those scenes were published during the marketing campaign of the film, she tried to stop the release. After a long trial that caused a scandal in German press, she finally lost and the film was released in the original version by director Eckhart Schmidt. Schmidt and Nosbusch reconciled their struggle years after that and became friends again. https://www.imdb.com/title/tt0082361/trivia |
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Pozor, vizita! Year: 1982 Veronika Jeníková was only seventeen years old during filming, yet the script called for a nude scene. Jeníková was not ready for such a thing and all the time she hoped that director Karel Kachyna would change his mind and not demand that she strip completely naked in front of the camera. But the director didn't want to change his mind and even Veronika's mother's intercession didn't help. The budding actress then wondered how she could avoid the tricky scene. She even feigned illness. In the end, the director only agreed to shoot the nude footage at the very end of the shoot. "It wasn't without tears," Jeníková admitted years later. https://www.dotyk.cz/magazin/film-pozor-vizita-20201116.html |
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Ladies and Gentlemen, the Fabulous Stains Year: 1982 Composed of brashly cynical lead singer Corinne “Third Degree” Burns (Lane, barely 15 at the start of shooting), her sister Tracy (Marin Kanter), and cousin Jennifer (Laura Dern, at 13!), the Shaggs-like trio become an overnight sensation thanks to their in-your-face look and attitude. With skunk-striped hair and red lightning-bolt eye makeup that inspire a legion of copycat fans, Burns spits at her audience: “I’m perfect, but nobody in this shithole gets me because I don’t put out.” Teen rebellion is a fact of life, but just how comfortable was previously squeaky-clean Lane in such a provocative role? “You mean, like, ‘Here are my tits?’ ” Lane says with a laugh, nearly three decades later. “I was freaking out! The most poignant irony is that my daughter is going to be exactly the age I was when the DVD comes out. It’s not shocking, just a little bit embarrassing that it happens to be your mom.” And while Lane may look tough on film, there’s a reason they call it acting. “At 15, you’re just an egg out of its shell walking around, trying desperately not to get maimed emotionally. I was just mortified that we were supposed to be as bad as we were as a band. That was my 15-year-old agenda: Do we really have to suck this bad? Couldn’t we be on key at least?” (https://www.spin.com/2008/08/ladies-and-gentlemen-fabulous-stains/) |
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Paradise Year: 1982 "I was only 17 when I did my nude scenes in Paradise (1982). They were serious and more difficult because they were not easily justified." (https://m.imdb.com/name/nm0000121/quotes) |
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Amor Estranho Amor Year: 1982 -How was it for a 12-year-old boy at puberty to shoot erotic scenes? Ribeiro - In my first movie, I didn't know how to act. They put crepe tape "there" because I couldn't control myself. Was difficult. But then I learned to separate what was work and what was intimate. But of course there's always a joke, an awkward situation ... The movie set is very mystical, you never know what might happen. -In "Amor Estranho Amor" did you also use duct tape? Ribeiro - No, that was a normal nude. -Xuxa was fetish among the boys. How did you feel about lying naked with her? Ribeiro - When she was a factory original ... Wow! It was beautiful. The one on television was already another, it was already deconfigured. But wow, Matilde Mastrangi ... My God in heaven! It was a big woman. (https://noticias.bol.uol.com.br/entretenimento/2007/07/17/ult4738u1397.jhtm) |
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Beau-père Year: 1981 In the case of Miss Besse, her parents have sued the ''Beau Pere'' distributors and producers for a poster showing her sitting, barebreasted, on Patrick Dewaere's knee. The actress's mother said that the poster was put up without her permission, and that its context - shown on billboards all over France - made a use of Miss Besse that was exploitative; in contrast to what she said was the delicacy and sensitivity with which the film itself treated her. The judge ruled in favor of the producers, saying that there were scenes in the film that were even more explicit than the poster, and ignoring the point that the context provided by a street poster and a film may be so different as to alter the sense of what is displayed. https://www.nytimes.com/1981/11/29/movies/the-teen-ager-as-sex-object-art-or-exploitation.html ----------------------------------------------------- Ariel Besse was only 15 when she made this film and performed the nude scenes. It was her first role. Her parents sued the distributors for the poster, which shows her breasts, as it was exhibited on billboards around France without their permission. They lost the case. https://www.imdb.com/title/tt0082054/trivia ---------------------------------------------------- "The scene in which Besse had to walk around naked, showing her buttocks, was not included in the script. At first, she did not want to play it, but in the end, she agreed, on the condition that Blier let the whole crew out." https://en.wikipedia.org/wiki/Beau_Pere |
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Kundskabens træ Year: 1981 When Nils Malmros called Gitte Iben Andersen and told her that she had become the chosen one, she noticed that there was also a nudity scene. She was therefore refusing - but nevertheless said yes, when the film director added in a slight way that all other girls had said yes - without knowing that he had used the same trick towards the other girls. (https://danskefilm.dk/skuespiller.php?id=3077) |
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Nach Mitternacht Year: 1981 In 1981 you went to New York alone at the age of 16. How unusual was that? Nosbusch: "That was completely difficult, but I saw no alternative. I had a difficult time, was in a self-discovery crisis. Once fired at 16. (laughs) My parents were a bit overwhelmed with me and the situation. At that time, I was shooting 'Nach Mitternacht', a movie in which I had a nude scene that was discussed in the 'Bravo' with a raised forefinger. Then I lost my jobs, because I was from the view of the ZDF at the time a problem for the youth. I had to leave school because you could not do anything with 'uncomfortable' people like me. Then I saw 'Fame' in the cinema and thought New York is my chance. " (https://www.bild.de/unterhaltung/leute/nosbusch-desiree/ihre-bilanz-nach-vierzig-jahren-showgeschaeft-52710302.bild.html) |
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Les jeux de la Comtesse Dolingen de Gratz Year: 1981 Katia Wastchenko remembers the making of the film as "an enjoyable experience", and describes Binet and the rest of the crew as "very kind". Although she had not read 'Sombre Printemps' and was, at the age of 12, "too young to be curious or interested about Unica Zürn's life", Wastchenko tells me that Binet "took the time to explain to her the context of the most 'sensual' scenes", and helped her to approach the role by confiding some of her own childhood memories. https://www.sensesofcinema.com/2018/after-the-french-new-wave/vampire-country-sex-and-psychoanalysis-in-the-films-of-catherine-binet/ |
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Circle of Two Year: 1981 In her autobiography "A Paper Life," first published in 2004, Tatum O'Neal expressed unhappy thoughts about the film: "The premise of the movie was a little pedophilic and creepy, but the worst part for me was having to do a semi-nude scene. It's agonizing to watch-- this awkward young girl disrobing for the artist in his studio. Even from the back, my body language shows that they'd forced me to take my shirt off-- at least it's obvious to me-- and that I'm standing there miserably aware of my half-developed breasts [. . . ] Even when I had my clothes on, I felt ill at ease making the movie." https://www.imdb.com/title/tt0080536/trivia/?item=tr5697156 |
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